Kes is not trying to placate the masses or swim in a pool of hundred dollar bills floating in expensive champagne. It’s not about music videos with rare cars or bikini clad platinum blondes happily twerking by a pool. Kes is simply after the best version of himself.
A version of himself that he’s been chasing since he was in high school and realized that he was a lyricist. His realization grew to an unending passion. He turned passion into poise and dedication and now his dreams are coming to fruition.
Inspiration Comes in Many Forms
When the mic is in his hand and he’s performing he feels at ease. The sense of satisfaction of reciting his lyrics to a crowd is cathartic at worst and inspirational at best. Kes’s lyrics are not damning or insensitive; in fact they are just the opposite, even though when he wrote him he wasn’t feeling his personal best.
“It’s stuff I made by myself. Not feeling great about myself. I made it on my own time. It’s the best high.”
His lyrics sum the feeling up even better:
The sound of a crowd loud shouting out at once
Is the equivalent of the high of a 1,000 blunts
Kes has battled depression for most of his teenage and adult life. In his lyrics you will find hope, inspiration, and strength as if every time he puts pen to pad it’s an effort to drive away the depression and head him back on the right track.
Some of his favorite artists have done that for him. He brings up Joe Budden during our conversation, explaining that it’s OK to need help and to express your true emotion.
“I’m doing what other have done for me. But it’s reality. For better or worse.”
Kes and His Producer
Like so much that happens in Rochester, NY the relationship between Kes and his first producer started at Wegmans. Kes met Volatile there years back and their shared affinity towards the world of hip hop started a relationship.
Volatile already had his career started with his own productions that he had posted to Youtube. Kes looked him up and was impressed. Volatile produced Kes’s first official album “The Prelude” available wherever music can be found.
He is already working on a follow up that should be out sooner than later “Creature of Habit” although no official release date has been set yet.
The producers and rappers that Kes has worked with over the years had a profound effect on him. He has learned from them and taken their knowledge of industry and beats and turned it into his routine, it has made him a creature of habit, writing, recording, learning, and evolving.
The Element of Surprise
I had the opportunity recently to sit down with Kes and share some scotch with him. He’s extremely approachable, quite affable, and humble. His clean cut look and deftly quaffed red hair don’t scream hip hop. But he doesn’t mind that. It’s not about looks it’s about lyrics.
“You can’t take yourself too seriously. I love it. I walk in (to the studio) with my button up and slacks and people are looking at me like ‘You rap?’ and then they hear me and they go ‘Oh shit, you rap’.”
Kes puts a hard line in the sand with new pop rappers and what he’s trying to accomplish. Pop rappers are flashes in the pan, radio wave sycophants who want money and fame. Real MC’s are lyricists, their writers with a craft; it’s about poetry, not bitches.
“Trap beats are the music version of reality TV.”
Simple to make, little production, and the use of very little lyrics slings trap beats into our mainstream. It’s super simple, fun, and goofy; almost as if anyone can make it. And maybe that’s the idea of it and that’s why people gravitate towards it.
But Kes is not impressed. He’s impressed with art, beauty, and challenging yourself. The new pop rap is not made like this and for this reason. He believes that a well-rounded instrumental is much more difficult to make, takes more time, and should be considered just as important as the lyrics.
He goes back to the 1990’s for inspiration, to listen to interwoven samples, the complexity of good production. The music is just as inspiring as they lyrics. The element of surprise isn’t just in looks, it’s embedded in every aspect of his music.
You can follow Kes on:
The Prelude is available wherever you usually get your music.